Passionate about storytelling through costume, I’ve had the privilege of working on a variety of high-profile productions, including The Woman in Cabin 10 (Netflix), The Regime (HBO), Andor 2 (Lucasfilm), The Crown (Left Bank Pictures), and Peaky Blinders (Caryn Mandabach Productions). My experience spans roles such as Principal Costume Truck Supervisor, Junior Assistant Costume Designer, and Junior Design Assistant, allowing me to develop a versatile skill set across different facets of costume design and supervision.

I’ve built hands-on expertise in costume buying, fabric sampling, digital sketching, Photoshop, costume breakdown, continuity management, and on-set standby support. My background also includes working with costume houses like Angels and Academy, contributing to costume maintenance, alterations, and the organisation of costume trucks.

A graduate of Wimbledon College of Arts with a BA (Hons) in Theatre and Screen: Costume Design, I am committed to continuous learning. I’ve completed specialised courses with Creative Media Skills, covering Costume Breakdown, Costume Department Essentials, Fittings Etiquette and Alterations, and Costume Standby Master course, alongside a Costume & Fabric Breakdown Course with Schultz & Wiremu Fabric Effects.

Currently, I also share my knowledge as a Visiting Practitioner at UAL: Wimbledon College of Arts, supporting the costume course with a multidisciplinary project.

Enthusiastic, creative, and collaborative, I thrive in dynamic environments where I can contribute to the visual narrative of a project while learning from inspiring teams.